Blanace – Imbalance

Artist: Abdur Rahmanmamun Title of Work: Unknown - in "Rangamati Tour" Year Produced: Unkown Medium: Photography Source: http://bdfoto.net/portfolio-3

Artist: Abdur Rahmanmamun
Title of Work: Unknown – in “Rangamati Tour”
Year Produced: Unkown
Medium: Photography
Source: http://bdfoto.net/portfolio-3

Artist: Donte Title of Work: Unkown Year Produced: Unkown Medium: Photography Source: http://photosbydonte.com/

Artist: Donte
Title of Work: Unkown
Year Produced: Unkown
Medium: Photography
Source: http://photosbydonte.com/Balance

The idea of the balance of imbalance is basically that you can achieve balance in a piece even if the subject matter is imbalanced. Both of these pieces are really good examples of balanced pieces that have an imbalance inĀ  subject matter. In the top, the coffee bean sits on the right of the piece, causing that side to be heavier than the other, but the fact that the other side is very plain, and that there is more of it, with no competing images, somehow brings a balance to it. The bottom image is very similar, the flowers act as a heaviness on the right side, while the larger space on the left, being much brighter than that on the right, brings about a balance.

Balance – Asymmetrical

Artist: Katsushika Hokusai Title of Work: The Great Wave off Kanagawa Year Produced: 1829-32 Medium: Woodblock print Source of image: http://totallyhistory.com/art-history/famous-paintings/

Artist: Katsushika Hokusai
Title of Work: The Great Wave off Kanagawa
Year Produced: 1829-32
Medium: Woodblock print
Source of image: http://totallyhistory.com/art-history/famous-paintings/

Artist: C.M. Coolidge Title of Work: Dogs Playing Poker Year Produced: 1903 Medium: Oil Painting Source of image: http://totallyhistory.com/art-history/famous-paintings/

Artist: C.M. Coolidge
Title of Work: Dogs Playing Poker
Year Produced: 1903
Medium: Oil Painting
Source of image: http://totallyhistory.com/art-history/famous-paintings/

A piece can also obtain balance through asymmetry. This means that even though the piece is not the same on both sides of a division, the forms in it create a sort of balance, which can be achieved in many different ways. The top piece managed to create a balance between the sky and sea, with them taking up similar amounts of space in the piece, though not symmetrical. The bottom piece contains a similar amount of weight on each side of it, even though it is using greatly varying figures, to achieve balance. Even though there are more figures on the right, the figure in the chair and the chair itself seems weightier that those on the right side, thus achieving an asymmetrical balance.

Balance – Symmetrical

Artist: Kazuya Akimoto Title of Work: Nazca Symmetry Year Produced: 2007 Medium: Acrylic Source of Image: http://www.enantiomorphicchamber.com/2008/03/kazuya-akimoto-nazca-symmetry-2007.html

Artist: Kazuya Akimoto
Title of Work: Nazca Symmetry
Year Produced: 2007
Medium: Acrylic
Source of Image: http://www.enantiomorphicchamber.com/2008/03/kazuya-akimoto-nazca-symmetry-2007.html

Artist: David Gordon Whittaker Title of Work: Under Pier Clouds Year Produced: Unknown Medium: Photography Source of image: http://www.photographyblogger.net/symmetry/

Artist: David Gordon Whittaker
Title of Work: Under Pier Clouds
Year Produced: Unknown
Medium: Photography
Source of image: http://www.photographyblogger.net/symmetry/

The symmetrical form of balance is basically when you could divide a piece in half and both sides would look the same, as if they were mirror images across the division. Both pieces above are symmetrical on both sides from a vertical middle line. They repeat nearly perfectly.

Critical Essay – Pantone Print Ads

Artist (Producing Company): Pantone Medium: Print Source: http://www.basenow.net/2009/04/05/re-coloring-pantones-fashion-home-division/

Artist (Producing Company): Pantone
Medium: Print
Source: http://www.basenow.net/2009/04/05/re-coloring-pantones-fashion-home-division/

Artist (Producing company): Pantone Medium: Print Source: http://jessiekillops.com/pantone.html

Artist (Producing company): Pantone
Medium: Print
Source: http://jessiekillops.com/pantone.html

 

Artist (Producing Company): Pantone Medium: Print Source: http://www.creativebloq.com/inspiration/print-ads-1233780

Artist (Producing Company): Pantone
Medium: Print
Source: http://www.creativebloq.com/inspiration/print-ads-1233780

For this critical essay, I decided to write about a series of Pantone print ads. Having a focus in graphics design, I’m greatly interested in the process and production of advertising, so when I came across these very creative Pantone ads, I thought it would be a great subject to write about.

All of these ads are extremely effective in their use of color, which is to be expected from a company that specializes in color, but they also use many other artistic elements to make them extremely effective advertisements. The first one begins by using a series of complementary colors (violet, red-violet, blue-violet to complement yellow, green-yellow, orange-yellow) in a circle, isolated in the middle of the page. What this does is create an emphasis on an eye-catching and pleasing image by isolation, as well as through placement in the middle. After being drawn in by the initial colorful image, the viewer is then drawn to the words below, as they are similar in color to the middle image, and the only other thing in color on the page, as well as having a title in increased size compared to the rest of the text. An important thing to note is the title, “Inspiration Acceleration” in increased size, this emphasis is made so that most people who don’t take the time to read it will at least read, remember, and then associate an appealing idea like this with Pantone.

The second ad series’ use of color is extremely limited, which is what makes it an effective ad. The fact that there is only one color used in each of these prints, with everything else converted to black and white, immediately catches the attention of the viewer and draws them in. Another interesting thing to note about this, is that in all 3 ads the one color used is one of the 3 primary colors; this is probably done because these are very simple, bold, and easily recognizable colors. After being drawn in by the large square of color, the next thing the viewers eye should be drawn to is the bold, white, Pantone name near the square of color, and the text below matching in color to the square. This is due to the proximity of the text, as well as it standing out due to the fact that the Pantone name is bold, and pure white, where as most things in the picture fall into some range of grey, and that the smaller text below matches in color to the large square of color.

The third ad has a very similar technique to the previous series. In this one, the color orange is the only color used on the page, as well as having the Pantone name in a bold white, contrasting with the grey background. There are some differences though, like the fact that this color is not confined to a geometric shape, and is instead a very organic shape, being applied to a small puddle of water in the road. This gives the ad a much more relaxed feel to it, as well as adding another interesting drawing point, being that you don’t see a bright orange puddle of water in the road every day. Also, the fact that the surrounding grey image is much more mono-toned, and darker than the earlier images. I think this adds extra emphasis on to the splash of color, as well as the Pantone logo.

Emphasis – Isolation

Artist: Andrew Wyeth Title of Work: Christina's World Year Produced: 1948 Medium: Tempera on Gessoed paper Source of Image: http://en.wikipedia.org/wiki/Christina%27s_World

Artist: Andrew Wyeth
Title of Work: Christina’s World
Year Produced: 1948
Medium: Tempera on Gessoed paper
Source of Image: http://en.wikipedia.org/wiki/Christina%27s_World

Artist: Claude Monet Title of Work: Impression, Sunrise Year Produced: 1872 Medium: Oil on Canvas Source of image: http://en.wikipedia.org/wiki/Impression,_Sunrise

Artist: Claude Monet
Title of Work: Impression, Sunrise
Year Produced: 1872
Medium: Oil on Canvas
Source of image: http://en.wikipedia.org/wiki/Impression,_Sunrise

Another way to provide emphasis on a figure in a piece is to have it isolated from any figures. Both of the pieces listed above use this technique to create emphasis on focal points. The first piece uses the isolation of the bare field to create an emphasis on the sitting girl, and then the farmhouse, though the girl is the first and main focal point due to the fact that she is closer to the viewer in the piece, as well as being larger than the farmhouse. In the second piece, the abstractedness of the lake and background causes the closest boat to be isolated and emphasized in the fact that its a much sharper image compared to the rest of the piece.

Space – Perspective

Artist: Dong Yoon Park Title of Work: Sketches Year Produced: 2003 Medium: Pen Source of image: http://www.cre8ive.kr/blog/category/works/drawings/

Artist: Dong Yoon Park
Title of Work: Sketches
Year Produced: 2003
Medium: Pen
Source of image: http://www.cre8ive.kr/blog/category/works/drawings/

Artist: Brendan Polk Title of Work: Two-Point Perspective Year Produced: Unlisted Medium: Pencil on paper Source of image: http://amackenzie14.wordpress.com/2010/10/18/two-point-perspective-reasource/

Artist: Brendan Polk
Title of Work: Two-Point Perspective
Year Produced: Unlisted
Medium: Pencil on paper
Source of image: http://amackenzie14.wordpress.com/2010/10/18/two-point-perspective-reasource/

Perspective is the term for the view in which a piece of art is presented. For example, the first piece has a one-point perspective in which everything vanishes at one point on the horizon. Also, its perspective seems to be at around normal eye-level. In the second piece, there is a two-point perspective, in which the forms in the piece continue back to vanish at two different points on the horizon. The perspective in this piece is also from a slightly lowered perspective. Perspective is important because the correct perspective can create a much more dynamic, interesting piece.

 

Space – Compositional

Artist: Degas Title of Work: The Rehearsal Year Produced: 1873-78 Medium: Oil on canvas Source: http://www.ibiblio.org/wm/paint/auth/degas/ballet/

Artist: Degas
Title of Work: The Rehearsal
Year Produced: 1873-78
Medium: Oil on canvas
Source: http://www.ibiblio.org/wm/paint/auth/degas/ballet/

Artist: Sandro Botticelli Title of Work: The Birth of Venus Year Produced: 1486 Medium: Tempera on Canvas Source of image: http://en.wikipedia.org/wiki/The_Birth_of_Venus_%28Botticelli%29

Artist: Sandro Botticelli
Title of Work: The Birth of Venus
Year Produced: 1486
Medium: Tempera on Canvas
Source of image: http://en.wikipedia.org/wiki/The_Birth_of_Venus_%28Botticelli%29

Compositional space basically just means the way in which things are arranged in the piece. Even though this is a simple concept, it is a very important one. The top two pieces are good examples of effective composition. The top one easily draws you into the piece through the placement of the sitting man ballerinas in a slant from the bottom left corner toward the middle of the page, with the sitting man effectively blocking your eye from leaving the page due to his size and dark color. The bottom piece’s composition causes your eye to move towards the main focal point, Venus, but arranging the three people around her so they lead in towards her, with the right pictures arms even pointing towards her.

Space – Illusionistic

Artist: Gaulli, Giovanni Battista Title of Work: Triumph of the Holy Name of Jesus  Year Produced: 1676-1679 Medium: Fresco Source of Image: http://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=54169

Artist: Gaulli, Giovanni Battista
Title of Work: Triumph of the Holy Name of Jesus
Year Produced: 1676-1679
Medium: Fresco
Source of Image: http://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=54169

Artist: Julian Beever Title of Work: Unlisted Year Produced: Unlisted Medium: Chalk Source: http://www.moillusions.com/chalk-drawing-illusions/

Artist: Julian Beever
Title of Work: Unlisted
Year Produced: Unlisted
Medium: Chalk
Source: http://www.moillusions.com/chalk-drawing-illusions/

Illusionistic space is a term used for art that seems to share a physical space with the viewer, when in reality, it does not. Both of the pieces above are good examples of illusionistic space. The first piece, done in fresco on a ceiling, depicts realistic angels breaking through the boarders set on the ceiling, creating the illusion that they are 3-dimensional and share an actual space with the viewer. The bottom piece is done in chalk on a sidewalk in such a way that, when viewed from the correct angle, the illustration seems to become actual objects in 3-dimensional space. An illusionistic is useful in creating eye-catching pieces.

Space – Figure/Ground

Artist: Jeffrey Vanhoutte Title of Work: Ghent on the Sea Year Produced: Unlisted Medium: Photography Source of Image: http://www.jeffreyvanhoutte.be/showcase.php?cat_id=19

Artist: Jeffrey Vanhoutte
Title of Work: Ghent on the Sea
Year Produced: Unlisted
Medium: Photography
Source of Image: http://www.jeffreyvanhoutte.be/showcase.php?cat_id=19

Artist: Markus Hartel Title of Work: Coney Island Board Walk Year Produced: Unlisted Medium: Photography Source of image: http://www.markushartel.com/american-street-photography/coney-island

Artist: Markus Hartel
Title of Work: Coney Island Board Walk
Year Produced: Unlisted
Medium: Photography
Source of image: http://www.markushartel.com/american-street-photography/coney-island

Concerning space, figure and ground basically just means the focus (figure) of a piece, and the surroundings/background (ground) of a piece. Both piece are good examples of effective use of figure and ground in art. The top, places a lone stoplight as the figure about 1/3 of the picture from the left, creating a more visually appealing piece. Surrounding the lone figure is very open space, creating a strong focal point on the figure. In the bottom piece, the figure of the couple walking down the boardwalk is well supported by the ground that leads you into them, puts them at an off-set horizon, and then leaves and open space top.

Color – Split Complementary

Artist: Katie Riddler Title of Work: Park Avenue Year Produced: Unlisted Medium: Interior Design Source: http://www.katieridder.com/

Artist: Katie Riddler
Title of Work: Park Avenue
Year Produced: Unlisted
Medium: Interior Design
Source: http://www.katieridder.com/

Split complementary is a lot like complementary colors, except instead of having two colors you have a triad consist of one color, and then the two colors next to the color opposite the first, as illustrated by the first image. The second image is a great example of the use of split complementary colors in interior design. They use the color scheme of red, yellow-green, and blue-green, creating a harmonious relationship between the yellow-green and blue-green, with bright focal points of red.